It's been three days since Apple released Final Cut Pro X, a complete redesign of its flagship video editing suite. Early reaction has been mixed at best, with users giving poor marks to the software on the Mac App Store and in reviews. Even Conan O'Brien poked fun at the new release.Apple seems to be addressing concerns through David Pogue's column at the New York Times, assisting David with an extensive Q&A covering what's missing from Final Cut Pro X and giving some workarounds as well. One of the biggest complaints in FCP X was the lack of multicamera editing. Apple promises many more features and fixes, and notes that adding multicam is a "top priority":
Complaint: There’s no multicamera editing. In the old FCP, you could import the footage from various cameras that covered an event (say, a concert) from different angles simultaneously, and then easily cut back and forth between them while editing. It was a star feature of Final Cut, and it’s gone from FCP X.
Answer: Apple intends to restore this feature in an update, calling it “a top priority.” Until it does, here’s a stopgap facsimile of multicam editing: If you drag two clips into parallel timeline tracks, you can choose Clip->Synchronize Clips. By comparing their audio tracks, the program aligns the clips exactly. Now, each time you select a piece of the upper video track and press the V key (“disable”), you are effectively cutting to what’s on the lower video track.
The Q&A goes on for quite a while, and those FCPX users who have concerns would do well to give it a read. Answer: Apple intends to restore this feature in an update, calling it “a top priority.” Until it does, here’s a stopgap facsimile of multicam editing: If you drag two clips into parallel timeline tracks, you can choose Clip->Synchronize Clips. By comparing their audio tracks, the program aligns the clips exactly. Now, each time you select a piece of the upper video track and press the V key (“disable”), you are effectively cutting to what’s on the lower video track.
Before the software came out, Final Cut Pro guru Larry Jordan warned against adopting Final Cut Pro X too quickly:
Whenever you've got something which is that big a re-write, stuff gets changed, stuff gets left out, stuff gets added later because they can't get it all re-written and I guarantee you that on day one when the dot zero release ships it will not be ready for professional use.
His advice seems especially prescient in the aftermath of the Final Cut Pro X launch.
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